Hardware 15% off for 15 Years

HARDWARE: the MASS MoCA Store and MASS MoCA by Design are having a store-wide, 15% off sale on May 24th in celebration of the museum’s anniversary. Everything in the stores will be 15% for the general public, and an additional 15% off for MASS MoCA members (who already receive a 10% discount on all purchases). Phyllis Criddle is the Retail Manager/Buyer for  both stores and here she shares her picks for what you should look out for next time you’re at the museum.


These adorable little plastic bins are ready to gobble up your garbage!  16” tall and designed in Denmark, they are available at both Hardware and MASS MoCA By Design. $36 each. Choose from black, green, blue, or pink.


These fabric button earrings are designed and made by local artist Emily Morris. No two quite alike, we have plenty of styles and colors to choose from! Only $9 each, available at Hardware.


Direct yourself here! Our new baseball hats feature the exact GPS coordinates of MASS MoCA embroidered on the front, and “MASS MoCA” on the back. Available in both red and black. $30 each.

peacock book

The Spooky Tail of Prewitt Peacock by Bill Peet is a children’s picture book about fitting in… It is for sale at Hardware in honor of Darren Waterston’s work Filthy Lucre, which features several breathtaking golden peacock paintings. $8.95. Paperback.


Madspots are large, round, reusable stickers which can be used to decorate your house and car with fun and distinction! Designed by Meredith Alex from Portland, ME. Choose from a variety of available colors and patterns at Hardware. Each pack contains 12 spots of assorted size stickers. $32.

bunny hat

This unique pink bunny mask was made by Huck Delsignore from Pittsfield, MA. It is crocheted yarn over a wire frame, with an adjustable baseball hat base inside for comfort. A one-of-a-kind, truly spectacular piece of work. $320 and available at Hardware. Additional one-of-a-kind masks by Huck are available.

Posted May 21, 2014 by MASS MoCA
Filed under BLOG, Hardware, MASS MoCA by Design, North Adams, Staff, Uncategorized
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15th Year Party: What We’re Wearing

By Julia Melnick
Photos by Olympia Shannon

Sometimes the hardest part about going to a party is figuring out what to wear. Is it casual, business- casual, or semi-formal? Who knows what that means anyway? Lucky for you, MASS MoCA staff members have got you covered with some tips about what they’ll be wearing for the celebration of our 15th anniversary. Our party happens on Saturday, May 24, right here in North Adams because that’s MASS MoCA’s home. We want you to come out in whatever makes you feel the best. One thing’s for certain, though–whatever you wear, make sure you bring your dancing shoes.

Laura Thompson, Director of Education and Kidspace, has been working at MASS MoCA for 12 years. She’s wearing a bright, colorful Lilly Pulitzer dress and her winter boots because you never know if it’s going to be wintery or summery in the Berkshires. A favorite MASS MoCA memory is mowing the lawn around the sculptures in one of the first exhibitions she curated in 2004. Laura is looking forward to the party because it’s fun to go down memory lane with old friends.

Kathryn Tufano can’t wait for the party, in large part because of this awesome pantsuit she found in a second-hand shop on a trip to Phoenix last month. It’s Oscar de la Renta and you will most likely find her showing it off on the dance floor. Kathryn has been at MASS MoCA for over two years as the Manager of Foundation and Corporate Giving. One of her favorite memories in that time has been dancing to Lake Street Dive at FreshGrass last September, and working with the lovely volunteers who helped make the festival possible. As far as the 15th year celebration is concerned, Kathryn can’t wait to see Teresita Fernández’s exhibition, As Above So Below. “I’ve made a conscious decision to to wait until it’s up to go into the gallery. I want to see it revealed at the opening in its entirety.”

Thomas Huston is a Visual Arts Intern who has just reached his one year mark here at the museum. A favorite memory is singing and dancing at Karaoke at the Mohawk Bar last summer. It was accompanied by live music courtesy of Bang On A Can faculty and fellows, at least one of whom will be joining us at the end of May. The multi-talented Mark Stewart will be performing a pop-up show somewhere around campus and you can be sure you’ll find Thomas front and center. He’ll be wearing a black silk sweater, a white button-down shirt, cream linen pants, and his favorite beat-up Converses; however, after learning one of the food trucks is bringing chicken tandoori, he’s rethinking the linen pants.

Matt Guyton is the Master Electrician at the museum and he’s responsible for the mood lighting up in Club B-10 and the awesome light shows at our Hunter Center concerts. Currently in his fourth year at MASS MoCA, Matt had a favorite night with the internationally-acclaimed contemporary dance company Chunky Move. “It was the coolest show and they were really nice and interesting people to work with.” Matt is going to be working hard at our 15th celebration, but hopefully he can catch some of Red Baarat’s set because they were “freaking amazing” when they were here a few years ago. His go-to outfit is black pants with a black shirt, but if we’re lucky he might change it up and surprise us. 

You may recognize Jane Burns from any one of our music, theater, or dance events from the last year and a half. As MASS MoCA’s videographer, Jane is always at the show with her camera snapping footage. She’s looking forward to the 15th year party because she can’t wait to see all the outfits. She will be wearing her Jeffrey Campbell shoes with bright socks, a funky jean jacket, and a sassy new pocketbook. Jane describes her outfit as “muted with pop accessories.” She remembers Dan Deacon’s live 4/20 show in 2013 as one of the craziest events held at the museum in recent years. We can only hope that Jane will bring some of that wild and frenetic energy to the dance floor for sets by DJ Rekha and Red Baraat. 

Art McConnell has been working on the MASS MoCA campus before the museum itself even existed. He was here in North Adams when Sprague closed in 1986, and he’s still here today as Operations Manager of the museum. His favorite exhibition to date was Xu Bing’s Phoenix. “It was interesting to recognize all the tools in the Phoenixes and to see how it was all pieced together. Xu Bing was an interesting guy and he was here a lot, so I enjoyed watching him work.” Art is looking forward to mingling in the lobby at the 15th year party while wearing his signature polo shirt,  and spending time with people he has known for 20 years, who helped make MASS MoCA what it is today.

We hope you will celebrate your museum with us on Saturday, May 24. It all starts with an opening reception for  Teresita Fernández: As Above So Below from 4pm to 6pm. DJ Rekha plays at 7pm, Red Baraat takes the stage at 8:30pm, and then DJ Rekha is back for another set at 10:30pm to help us close out the evening. Top that off with food trucks and cheap beer galore and this is bound to be an unforgettable night.  Can’t wait to see you in the galleries and on the dance floor!

Posted May 14, 2014 by MASS MoCA
Filed under BLOG, Dance Parties, Music, Parties, Red Baraat, Staff, Uncategorized
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Tree Logic Right-side Up

By Joseph Thompson
Director, MASS MoCA

Last Sunday our family took a picnic hike up Stone Hill to check out progress on Tadao Ando’s work at the Clark, and on the way up we visited Natalie Jeremijenko’s first-generation Tree Logic.

Joe's Trees

By first generation, I mean five of the first six Blaze Maples that Natalie drafted into service for the upside-down bio-sculpture that marks the entrance to MASS MoCA’s front door.  The “girls” are doing just fine, by the way, fully budded and regal.  (John Carli of our staff declared them to be girls, not me, but he has earned full rights to impart whatever gender he wants, since he’s tended the trees over these past 15 years).  It’s interesting:  with each passing year there is less and less evidence of Gen 1’s initial existence as experimental indices – the resultant vectors of the gravitropic force of an earth from which they were liberated and the phototropic force of a sun to which they yearned.  That’s my daughter, Izzy, enduring a phototropic effect all her own.

As we looped around Stone Hill, and onto the pastures above The Clark, this exciting view opened up.

Joe Clark

As you can just make out looking through the screen of bare trees, a stack of three trapezoidal reflecting pools/skating rinks have recently been lined with a bright white material:  The geometric shapes are commanding in scale, and central to the overall Ando design, which is in many ways more about landscape, and the framing of views, than about buildings.  The Clark was brave and correct to have retained the pools within the project scope, when I’m sure there were many opportunities along the way to lose them in the name of value engineering.

Walking past the construction site, it occurred to me that our friends at the Clark are probably a bit nervous with the number of heavy vehicles still lingering on their site this spring, but it is always amazing how much work gets done in two months … especially landscaping, which comes together fast, and at the last minute.

This great project is transformative in so many ways, important to all the Berkshires, but especially to those of us within its immediate orbit. I suggest a walk on Stone Hill before the greening of the trees to take it in:  The ambition and etched precision of the project become immediately clear from a high southerly vantage point.  And see if you can find the Tree Logic Gen 1 on the way up.  That’s Trainer and Jennifer with Izzy.

Posted May 1, 2014 by MASS MoCA
Filed under BLOG, North Adams, Staff, Tree Logic
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So you want to…be a managing director.

Have resumes and cover letters become your (least) favorite new hobby? Times are tough out there for recent graduates and young professionals – competition is fierce and you can’t be an intern forever.  In our new blog series, So you want to…, our museum staff offers advice and inspiration for pursuing an arts career. Don’t worry– all those applications will eventually turn into an interview!

Susan E. Killam has served as MASS MoCA’s Managing Director for the Performing Arts and Film since November 2004. She coordinates over 65 events per year including three music festivals (Wilco’s Solid Sound, Bang on a Can, and FreshGrass Bluegrass Festival) and multiple performing arts spaces including the Hunter Center (a 10,000 square foot black box), Club B-10, and the outdoor Courtyard B. Before coming to MASS MoCA, she worked with the  entertainment law firm Garcia, Francis & Associates, the Philadelphia and Boston Volunteer Lawyers for the Arts, the HIV/AIDS Law Consortium (where she was the founding director), and the Family Planning Council of Western Massachusetts. Sue holds a Bachelor of Science degree in Film & Broadcasting from Boston University and a Juris Doctor degree from Temple University in Philadelphia.  She is a member of the Bar in the Commonwealth of Massachusetts.

Sue Killam and Laurie Anderson--one of Sue's favorite artists

(Photo of Sue and Laurie Anderson–one of Sue’s favorite artists)

What is the best career advice you ever received? 

Don’t be afraid to raise your hand.  I was first told this back in elementary school, but was told it again at my first real job.   It’s great advice.  It’s better to ask questions if you don’t know the answer or how to do something asked of you.  It’s better to spark dialogue by sharing reactions and thoughts. Raising your hand means you’re willing to chip in, help out, and when it matters, be counted.

How would you encourage recent graduates to make the most of internship experiences?

I collected internships when I was younger.  I couldn’t get enough hands on experience.  I always found that the key was to keep your eyes and ears open to what’s happening around you as you will often learn more by observing than simply completing tasks.  Never lose sight of the bigger picture.

What was a formative arts experience for you as a young person? 

Because I grew up in the Berkshires with parents who were involved in the arts, there wasn’t a cultural organization that I didn’t visit.  Summers were spent listening to the Boston Symphony while stargazing, ushering for the Williamstown Theatre Festival, trips through the Clark, and gallery guarding for the Williams College Museum of Art.

My favorite activity was going to summer concerts at the Saratoga Performing Arts Center; while some of my friends aspired for autographs or glimpses of the band, I could be found at the edge of the stage, fascinated as the crew packed up gear, took down sets, coiled cables, and brought the stage back for the next day. I wanted to be a part of that.

What is one of your current social media or web obsessions? 

Kickstarter makes donating money accessible, fun, and interesting. I love to see the range of ideas out there, watch the short pithy video pitches, and track the success (and failure) of campaigns.

Fill in the blank: The future of the arts depends on an engaged and intrepid audience.

Posted January 22, 2013 by MASS MoCA
Filed under BLOG, Interns, Museum Education, Staff
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So you want to… raise money for the arts.

Have resumes and cover letters become your (least) favorite new hobby? Times are tough out there for recent graduates and young professionals – competition is fierce and you can’t be an intern forever.  In our new blog series, So you want to…, our museum staff offers advice and inspiration for pursuing an arts career. Don’t worry– all those applications will eventually turn into an interview!

Kathryn Tufano has been the Manager of Foundation & Corporate Giving at MASS MoCA since January 2012.  She has worked in non-profit arts development for over fourteen years.  Prior to her tenure at MASS MoCA, she served as the Executive Director of the Catskill Art Society in Livingston Manor, NY and as Development Director for both Exit Art (sadly, now closed) and The New York Open Center.  In her former life, she had a twenty-plus year career as a professional modern dancer in New York City.

What is the best career advice you ever received? 

You should always have a 3-5 year plan that is constantly revised so you are always following the course that you want to be on.  Sometimes it is easy to get comfortable in a place that is not necessarily challenging you and, a few years later, you find yourself stuck.

What was a formative arts experience for you as a young person? 

I started studying dance when I was 3 years old so I always loved the ballet and, in particular, American Ballet Theatre.  When the Mikhail Baryshnikov/Gelsey Kirkland version of the “Nutcracker” aired on television in the 1970s, I was in heaven.  My mom and I swooned over the broadcast every year and when I was old enough, she took me to NYC to see it live.

What is the biggest change/shift you’ve witnessed in the museum field? 

I think that the power of art is so compelling that it needs to be experienced first-hand.  Sometimes I worry that we live in such a technological age that the world  would prefer to have a virtual experience rather than take a chance on a real one.

Fill in the blank: The future of the arts depends on clear communication and building relationships with your constituency. The formula that I have always believed in to sustain any organization is:  Great programming inspires a buzz (which translates into Marketing/PR) which, in turn, motivates people to get behind it and drives the financial support (the Development piece.)

If you could work in any other field, what would it be? Why?

I have been involved with the arts my whole life; it is hard to imagine another field! But, if I dig deep, maybe owning and running a family business – a little shop that sells my husband’s hardwood furniture and origami window shades – I guess I should talk to him about that.

Posted January 8, 2013 by MASS MoCA
Filed under BLOG, Interns, Museum Education, Staff, Uncategorized
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So you want to… be a curator.

Have resumes and cover letters become your (least) favorite new hobby? Times are tough out there for recent graduates and young professionals – competition is fierce and you can’t be an intern forever.  In our new blog series, So you want to…, our museum staff offers advice and inspiration for pursuing an arts career. Don’t worry– all those applications will eventually turn into an interview!

Denise Markonish has curated multiple exhibitions at MASS MoCA, including, most recently, Oh Canada, the largest survey of contemporary Canadian art ever produced outside of Canada. With Susan Cross, she co-edited the book Sol LeWitt: 100 Views (Yale University Press) in conjunction with MASS MoCA’s monumental Sol LeWitt: A Wall Drawing Retrospective exhibit. Prior to her work at MASS MoCA, Markonish curated at Artspace (New Haven, CT), the Fuller Museum (Brockton, MA), and the Main Line Art Center (Haverford, PA). Markonish earned her Bachelor’s degree at Brandeis University and her Master’s degree at Bard College’s Center for Curatorial Studies.

What is the best career advice you ever received?

I don’t think it was so much advice as just watching how others negotiated the art world. Early on, when I was around 19 years old, I interned at the Rose Art Museum at Brandeis University; I remember that the director at the time, Carl Belz, once pulled me aside and brought me into the storage vault. He pulled out one painting after the next and asked me what I thought. It took me a moment to realize that he really did want my opinion. This was extremely powerful—to realize that no matter what my age or experience, my opinion and ideas around art mattered. I think this has stayed with me and influences how I operate today.

I was told early on that it doesn’t matter where you are; you can bring great art everywhere. Starting out in the art field, I think everyone thinks you have to go to NYC to make it. I purposely never went there and have had amazing experiences bringing art to different communities.

What was a formative art experience for you as a young person?

When I was a high school senior at Brockton High School (Brockton, MA), we went on a field trip to the Fuller Art Museum. I remember we met with the curator, and I had no idea that it was actually a job. It was at that moment that I knew what I wanted to do.

I had another key art moment when I was much younger as well, but I don’t think I realized how important it was until decades later… when I was about 12 years old, I went on a family vacation in Toronto and saw two public sculptures: one on the side of the Toronto Sky Dome of photographers leaning out of a box to take pictures of the crowd below and the other in Eaton Centre (a large shopping mall) of Canadian geese flying in the air. Later I would realize that these were both sculptures by Michael Snow, one of the most important living Canadian artists. I figured this out in college after seeing Michael’s film “Wavelength,” probably one of my all time favorites. I am so lucky to have worked with Michael once in Connecticut and then again in MASS MoCA’s Oh, Canada exhibition.

What is the biggest shift you have witnessed in the museum field?

I think the biggest shift I have seen in the museum field as of late is the rise of the biennial exhibition. It seems like in the last decade there are twice as many international biennials than before. I have yet to decide if I think this is a good or a bad thing. In theory, getting art out there and taking stock of it is great, but it seems that a lot of the same artists are on this circuit, which makes it seems a little predicable to me. That was one of the main reasons I chose to do the Oh, Canada show, as these were artists that I didn’t feel were getting the same attention on this biennial circuit.

If you could work in any other field, what would it be? Why?

I don’t think could actually or would actually ever want to do anything else. I love what I do and feel very lucky to be able to do it!

Fill in the blank: The future of the arts depends on artists. (Our director, Joe Thompson said the same thing!)

Do you have questions for next week’s So you want to…? Tweet them @MASS_MoCA!

Posted December 18, 2012 by MASS MoCA
Filed under BLOG, Canada, Exhibitions, Interns, Museum Education, Oh Canada, Staff, Uncategorized
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